![]() ![]() ![]() Disconnect the USB cable and disable CAT control and it all goes away. After some more trouble shooting discovered with CAT control enabled using the USB cable, there is lots of noise and distortion on the incoming audio drowning out the FT8 signals. I instantly had the full spectrum of signals shown and decoded and clean signal audio on the laptop. I then disconnected the USB cable for CAT control and boom. SO I put the USB soundcard back in play, played with audio volumes, made no difference. I bypassed the USB sound card and went straight to the laptop soundcard and heard the same noise. That is why I was only showing 1 or 2 signals on the wsjt-x waterfall and only decoded the 1 or 2 strongest signals, the audio input to the radio was full of noise. It had a massive amount of noise and distortion on it. Holy shit it was full of popps and hiss and noise and clicking. I started by turning on the option to send the USB mic input ( radio audio output ) to laptop speakers to listen to the incoming audio. It was the audio in that was showing the 1 or 2 stronger signals and not the 18+ signals my desktop and IC-7300 were seeing and decoding using the same antenna. The audio out works great and at 50 watts was being decoded in Australia and New Zealand last night. So I chose to go a USB cat control and the ACC connection on the radio for audio in and audio out. So then I started a process of elimination.įirst I will say, since I wanted ACLog to work with this and FT8 and WSJT-x all automatically like it does with my desktop in my shack. I am using the CT39A cable wired to two stereo 3.5mm jacks plugged into either a USB soundcard or directly into the analog mic and speaker out connections on the laptop. ![]() We both thought the only variable left was the cable and since I made it myself and wired it wrong the first two times, I took it apart again, rechecked all the connections and soldered it back together. Thank you to 444 for going over the settings with me on the phone. ![]()
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![]() ![]() But it was criticized for its unmemorable antagonists along with Boruto's relationship with his father not being explored deeply. Critical reception of the movie has been mostly positive, with writers praising the animation, fight scenes as well as Boruto's growth. Released in August 2015, the film became the franchise's highest-grossing film, and its home media versions had good sales to the point of becoming Japan's best-selling releases in 2016. They created new scenes that left a deep impression on Kishimoto. ![]() This brought him difficulties, because of which he required help from other staff members, such as the writer Ukyō Kodachi and director Yamashita. However, Kishimoto took an even larger role in the making of this film, handling the script, characters designs and screenplay. Kishimoto took a large role in the making of The Last, handling the script and character designs. The film was first teased in the post-credits scene of the previous film, The Last: Naruto the Movie (2014). Vigilante Sasuke Uchiha returns to the village with warnings about two beings who might become a big threat to the world peace the ninjas managed to bring about in the original series. Set after the finale of Naruto, the film focuses on the title character Boruto Uzumaki, son of Naruto 's protagonist, Naruto Uzumaki, who cannot stay with his family due to being the leader of his ninja village. It stars Yūko Sanpei, Junko Takeuchi, Kokoro Kikuchi and Noriaki Sugiyama. It is based on Masashi Kishimoto's manga and anime Naruto, and is the second film to be a part of the canonical Naruto storyline, being a sequel to the manga series. Boruto: Naruto the Movie is a 2015 Japanese animated fantasy film and the directorial debut of Hiroyuki Yamashita. ![]() ![]() Enhanced for the iPhone 5 series and iPad 4th Gen and above with dynamic detailed shadows and real-time environmental reflections.Remastered, high-resolution graphics built specifically for mobile including lighting enhancements, an enriched color palette and improved character models. ![]() Rockstar Games brings its biggest release to mobile yet with a vast open-world covering the state of San Andreas and its three major cities – Los Santos, San Fierro and Las Venturas – with enhanced visual fidelity and over 70 hours of gameplay. CJ is forced on a journey that takes him across the entire state of San Andreas, to save his family and to take control of the streets. On his return to the neighborhood, a couple of corrupt cops frame him for homicide. His mother has been murdered, his family has fallen apart and his childhood friends are all heading towards disaster. Where filmstars and millionaires do their best to avoid the dealers and gangbangers. ![]() ***PLEASE NOTE: This game is officially supported on the following devices only: iPhone 4s, 5, 5s, 5c, 6, 6s, 6 Plus, SE, 7, 7 Plus, iPod Touch 6th Gen, iPad Mini 1, 2, 3 & 4, iPad 2, 3rd Gen, 4th Gen, iPad Air 1 & 2, and iPad Pro.***įive years ago, Carl Johnson escaped from the pressures of life in Los Santos, San Andreas, a city tearing itself apart with gang trouble, drugs and corruption. ![]() ![]() ![]() So the source file in QuickTime and Resolve’s viewer don’t match. It would be great if there was an option to see these tags somewhere in Resolve.Īnother problem with this change is that Resolve displays QuickTimes with 1-1-1 tags as 1-2-1 if the timeline color space is Rec709 Gamma 2.4 and “Use Mac Display Color Profiles for Viewers” is on. Only by rendering the file and checking it in QuickTime can you tell which tags were embedded. However it’s tough to tell which color spaces correspond to which QuickTime tags. Color spaces in Resolve match QuickTime tags. In the same way, if files are exported with tags set to the default “Same as Project,” those tags will be embedded in the QuickTime file and match Revolve’s viewer. ![]() It will look darker in Resolve than it did in QuickTime because the tags don’t match. And Resolve’s color spaces should match corresponding embedded QuickTime tags in source files and renders.įor example, if an original camera file has 1-1-1 tags in QuickTime and it is imported into a Rec709 2.4 gamma project in Resolve and “Use Mac Display Color Profiles for Viewers” is turned on, that file will appear as if it has 1-2-1 tags. Then the Timeline Color Space defines how Resolve’s viewer displays files…ģ. If “Use Mac Display Color Profiles for Viewers” is turned on…Ģ. The most important thing to know about the viewer in Resolve after OS 10.14.6:ġ. That encoded file will no longer match Resolve’s viewer in QuickTime. Re-encoding these files with something like Handbrake would remove the 1-2-1 tags and change them to 1-1-1. So if you export your file and your timeline color space is Rec709 gamma 2.4 which are the default project settings, the QuickTime render will contain 1-2-1 tags. ![]() In later OS’s past 10.14.6, with Mojave and Catalina, checking the “Use Mac Display Color Profiles for Viewers” means that QuickTime WILL match the viewer with the properly encoded tags 1-2-1 for 2.4 gamma. This is what I illustrated with my last article. ![]() By re-encoding the file with something like HandBrake or Adobe Media Encoder, the tags change to 1-1-1 and THEN the re-encoded QuickTime would match the Resolve viewer. The exports would look much darker in QuickTime than Resolve’s viewer. On export, Resolve embedded tags as 1-2-1 for rec709 gamma 2.4. Previously, Resolve’s viewer would look like it was tagged with 1-1-1 QuickTime tags. In previous OS’s, checking that option would mean that your viewer would NOT match QuickTime with the timeline color space set to rec709 gamma 2.4. Specifically it works differently in OS’s later than 10.14.6. Unsubscribe at any time.Ĭhange #1: Color Space Settings in Resolve Match QuickTime tags in Resolve’s viewerįor the first change, “Use Mac Display Color Profiles for Viewers” works the opposite of how I described it in my last article. ![]() ![]() Other features include MP3 playback via the integrated USB port, a PC input, and a removable stand. 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